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Samurai jack flora11/5/2023 Of course, during my Cartoon Network years we were making shows for kids so there is a built-in system of things you can do and not do, but we definitely pushed stories and the way we told them, even the early days of Dexter." Tartakovsky continued, "The more stories you tell the better you begin to understand what you’re doing, and at the same time, story is something that I don’t think you can ever master or reduce to a formula. It makes things very easy when the people you are working for have trust and believe in you and actually really like and respect your work. "The very first episode of Dexter's Lab was greenlit and overseen by Mike Lazzo who was back then the head of programming at Cartoon Network in its very beginnings and now he is my boss for Primal. ![]() "I have been very fortunate for the most part of my career when it comes to support and trust," he said. I’ve spent the last 25 years or so trying to find my point of view and refining it and with Primal it feels like it has come together in the strongest way possible." We were curious how much the switch to Cartoon Network's Adult Swim brand has changed Tartakovsky's process is there a greater freedom that comes with the Adult Swim name, beyond superficial elements like violence? Tartakovsky told us storytelling freedom has never really been an issue at Cartoon Network, even in the days of Dexter's Lab. "As far as my approach, it’s always pretty much has been the same I’ve just been trying to improve with each episode, project, etc. "At the end of the day it’s still completely traditional animation," Tartakovsky said. The main difference, he explained, is that the animation itself is done digitally through TV Paint rather than on actual paper, which helps speed up the overall process. To start, check out an exclusive new image from the series below: Tartakovsky told us his approach to animating Primal doesn't differ wildly from that of Dexter's Laboratory or Samurai Jack.
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